| MARTHA'S
VINEYARD: REFUGE FROM CHAOTIC AMERICA
Story and photography
by Eric Anderson
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The Charlotte Inn is owned by the Conover family. They're antique dealers
and it shows. Paula Conover, a former St. Louis post-op surgical nurse
smiles and says, "Running an inn is like being back in nursing: you work
weekends and holidays, 24 hours a day."
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Her advice for antique shoppers coming
to the Vineyard is classic. When you find something ask yourself
the questions: Do you love it? Where will you put it? Is it your
lifestyle (does it reflect your interests)? And are you buying it
for the right reason -- investment value should not be your main
priority. "Why buy a piece of gorgeous jewelry that never leaves
your safe?" she says.
Asked where antique hunters might go, she replies, "Well, there's our family
Edgartown Art Gallery next door to our inn; then the eclectic mix at Past &
Presents owned by a group of women who go to Europe every year; and there's
the Edgartown Scrimshaw Gallery also on Main Street."
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At the Scrimshaw Gallery the owner Tom
DeMont bends over a piece of 1850's scrimshaw and shows how it can
be distinguished from a plastic replica. "Unlike plastic real scrimshaw
does not create static electricity," he says. "So it won't pick
up lint if you rub it against a sweater; it won't glow purple in
ultra violet black light; it doesn't have a plastic smell if you
scrape it and it won't melt or ignite if you touch it with a match."
If a dealer won't let you try those tests, walk away, he says.
Dealer integrity is all-important. Says Demont, "Make sure the gallery
owner puts the description in writing with the date the piece was
crafted and docu ments you can return it unconditionally for the same
price if you later find the piece to be a fake." There aren't
many fakes on Martha's Vineyard. A vacation on this island is an
authentic glimpse of what America used to be like and a poignant
reminder of what we may have lost as we continue our stumble into
the 21st century. |